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Game Review: Band Frontman Jason Williamson Takes On Role in Sceptical Look at Ecstasy Generation Era

Produced by Bristol sound co-founder Geoff Barrow, this sharp-edged if slight debut feature turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

There is only one important plot development, but it results in a hilariously staged rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

The film is in British and Irish theaters from 17 November.

Written by

Brenda Hopkins

A tech journalist and digital strategist with over a decade of experience covering emerging technologies and innovation trends.

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